1. Petro Chardynin - ВУФКУ
Like his legendary muse, Vira Kholodna, Petro Chardynin died in Odesa in 1934 of liver cancer, and later a cenotaph of the actress was installed on his grave.
Піонер російського, латвійського та українського кіно, автор кількох найдорожчих постановок ВУФКУ, де Чардинін працює з 1923 року та ледь не до самої смерті
2. A Woman of Tomorrow | THE EARLY SILENT ERA 1895-1915
Aug 28, 2023 · Chardynin would continue to work after the Revolution — often abroad; eventually he would return to the now Soviet Union, where his career ...
Zhenshchina zavtrashnego dnya Engl. title: Woman of Tomorrow R: Pyotr Chardynin. B: Aleksandr Voznesensky. K: Boris Zavelev. D: Vera Yureneva, Ivan Mozzhukhin, M. Morskaya, Praskovya Maksimova, A…
3. The Queen of Spades (1910) directed by Pyotr Chardynin - Letterboxd
This one is directed by Peter Chardynin who made over 100 silent films. There's a cool scene with a very busy ball and some great professional dancing, but in ...
Based on Pushkin's short story: When his friends play faro, Germann always enjoys watching, but he never gambles himself. One day, as he is watching their game, he learns that an elderly countess staying nearby is said to possess a secret for winning a fortune at the game. Germann is determined to learn this secret from her, and he initiates a romance with her grand-daughter Liza, in order to improve his chances.
4. Thug Nation: Russia in Leviathan and The Student - Offscreen
... Pyotr Chardynin, Aleksei Balabanov, Ivan Dykhovichny, Vladimir Khotinenko ... Has he been vain always, or is that a symptom of his mental illness?
In Garrett’s dual review of two recent Russian films, The Leviathan and The Student, their political read on contemporary Russia under Vladimir Putin ends up revealing that the issues in both films (corruption, extremism, Kafkaesque bureaucracy, political self-preservation) can apply equally to other Nations. Given the current strains and supposed “hidden” ties between Russia and the US, Garrett’s piece reverberates on happenings in contemporary America (as his review of Nixon’s legacy*).
5. Ol'ga Rakhmanova - Women Film Pioneers Project
It was a semi-educational film, alternatively called Clap is a Woman's Bane, about the dangers of venereal diseases ... Dir.: Petr Chardynin (Creo Russia 1915) ...
Women Film Pioneers Project is a scholarly resource exploring women’s global involvement at all levels of film production during the silent film era.
6. [PDF] (In)visible text: Queen of Spades in silent Russian cinema
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7. Otets i syn / [Father and Son] (1936) (commented live by Bernard ...
Aug 28, 2020 · While a factory director is distracted by production problems, his adolescent son suffers from loneliness. His mother is dead, and the father – a kind man and ...
Margarita Barskaya directs Отец и сын / Otets i syn / [Father and Son] (SU 1936). Отец и сын / [Padre e figlio] SU 1936. Director: Mar...
8. A History of Russian Cinema - Piero Scaruffi
Gardin, Protazanov and Pyotr Chardynin directed the serial Peterburgskiye Trushchobi/ Petersburg Slums (1915). ... condition of women in the countryside ...
The last century of czarism, from the Napoleonic invasion of 1812 (the "Patriotic War") to the October Revolution of 1905, was troubled by continuous unrest and rebellion: in 1825 the Decabrist uprisings, in the 1870s the sabotage and attacks of the Nihilists, in the 1880s the strikes fomented by the Social Democratic Party, and then the fateful war against Japan of 1904-05 (the first time that a European power lost a war to an Asian nation) and the revolution of 1905 (the massacre of unarmed protesters in January, the the mutiny of the battleship Potëmkin in June, the general strike of October) that forced czar Nikolay II to liberalize political parties and trade unions.
9. Indexing metadata - Eco-Vector Journals Portal
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The research is dedicated to the screen adaptations of Fyodor Dostoevsky’s The Idiot made in Russia in different cultural and historical periods. Films produced from 1910 to 2003 are analyzed in chronological order, with the aim of showing the transformation of the image of Prince Myshkin (Prince Christ), one of the key images of Russian culture1 within Russian national consciousness.